About
The Power of Piven Theatre Workshop and the Piven Training Technique
For over fifty years, Piven Theatre Workshop has helped thousands of students celebrate play while finding their unique creative voice through the study of improvisation, theatre games, scene study, and story theatre. Students at Piven discover the value of improvisational thinking, the training of impulse and instincts, the power of truth and honesty in performance, and the importance of effective communication skills.
These goals are achieved through the Piven Training Technique: a combination of improvisation exercises and theatre games designed to hone the actor’s skills. We like to compare the improvisation we use in an actor’s training to the weights & machines an athlete uses in their training. At Piven, actors are building muscles—creative muscles necessary to succeed once handed a script and put on a stage with other actors. The Piven Training Technique draws heavily on the work of Viola Spolin, the creator of the Theatre Games system as well as Byrne and Joyce Piven’s own work stemming from their collaboration with Paul Sills and the creation of Second City.
The Piven Training Technique also focuses heavily on the value of the ensemble, and the value of artistic collaboration. Learning the value of self-expression while still maintaining a responsibility to the group, each artist develops an understanding of themselves as a unique and valuable part of the greater whole. We have found that this combination of self expression and group responsibility leads to actors who are not only unique human beings, but are also flexible, adventurous, and gracious members of a team.
“Once you’ve seen Piven, you can’t imagine why a child (or adult) in the business would want to be anywhere else.”
In the words of Co-Founder and Artistic Director Emeritus Joyce Piven:
“We are deeply indebted to Viola Spolin and Paul Sills for their work in theatre games and story theatre as the jumping-off place for our own practice. We also drew inspiration from the work of Uta Hagen, Etienne Decroux and Mira Rostova, teaching artists [Co-founder Byrne Piven and I] studied with while in New York. Our approach to acting brings together all these various strains – theatre games, story theatre, Mime and the Stanislavski Method.”
Want to learn more about Joyce and Byrne’s creative process and the inspirations behind the birth of the Piven Technique? Read Joyce and long-time instructor Susan Applebaum’s book here.
Why Theatre Training?
Theatre training helps people, both young and old, become well-rounded, creative members of society.Watching and participating in theatre has been linked to benefits ranging from higher standardized test scores to improved social and emotional skills. Studying theatre gives students the opportunity to explore emotions in a safe environment while creating key connections within their peer group. Participants learn to empathize with characters of different backgrounds and viewpoints, fostering cultural competency in students of all ages.
Exposure to the arts in general and theatre specifically (especially within an improvisation-focused curriculum) encourages participants to have greater mental and emotional flexibility. Piven’s cohesive approach to theatre training, including training in improv, theatre games, scene study, and Story Theatre adaptation, produces alumni who are fluid thinkers who have the tools to be life-long learners in our ever- changing cultural landscape.
Why the Piven Technique?
At Piven, our focus on a theatre games and improv-based training technique encourages our students of all ages and skill levels to think creatively, to empathize with fellow ensemble members, to take bold risks in a safe environment, and to communicate both verbally and non-verbally on a sophisticated level. We’ve found that these skills translate to heightened acting skills and increased success in theatrical performances, as well as in a whole host of off-stage situations: navigating social groups, presenting in classroom and professional environments, and even improving focus and reading comprehension!
Piven’s theatre classes also harness the power of improvised play to create a sense of trust and community in each classroom, valuing the contributions of each individual’s voice while also teaching students the power of genuine connection within a group. While many of our students and alumni have found great professional success in the entertainment industry, we find that the greatest value of our training is the increased confidence and sense of belonging that our students emerge from our classrooms with—and all of the fun they have along the way!
Check out these resources to learn more about how training like Piven’s is linked to success on stage, in the classroom, and beyond:
The Effects of Theatre Education (American Alliance of Theatre & Education)
Four Reasons to Take an Improv Class (Forbes)
How improv can help with teen anxiety (Michigan News University of Michigan)
“The Play’s the Thing”: Is Theatre our Ideal Empathy Workout? (Howlround)
4 Major Benefits of Improv Training (Backstage)
Why Improv Training Is Great Business Training (Forbes)